Guys and Dolls, the iconic musical based on the stories of Damon Runyon, is a tale of gamblers, showgirls and the power of love, set against the backdrop of 1950s New York City.

It follows the lives of two couples: high-rolling gambler Sky Masterson and straight-laced missionary Sarah Brown, plus gambling ring organiser Nathan Detroit and his long-suffering fiancée Miss Adelaide.

With its rich score, memorable characters and lively choreography, it demands a lot. The production at Weydon School’s Medici Theatre from July 3 to 5 rose to the challenge with an impressive blend of professionalism, energy and artistic detail.

Under astute director Lucy Thompson it shone brightly. Musical director Ben Roberts ensured the music was handled with finesse, while Marcus Henning’s technical direction and set creation added depth.

The dancers, choreographed by Hester Gill, displayed intricate and vibrant routines that brought the stage to life, immediately transporting the audience to the bustling world of the Hot Box.

The meticulously detailed set, featuring round tables, drinks, lamps and tablecloths, created an authentic ambience, complemented by live music that continued during the interval, with cast members interacting with the audience.

This atmospheric setting was enhanced by the Hot Box sign and set pieces that established different locations and situations within the story.

The large cast showcased a well-balanced ensemble of male and female performers, whose careful and precise blocking was evident, especially in the ensemble numbers.

The backstage organisation was seamless, allowing for smooth transitions and a polished performance overall.

Lottie, as Sarah Brown, maintained her accent and stance with strong stage presence, displaying effective comic timing and consistent energy.

Maisie’s Miss Adelaide was sensational. Her larger-than-life performance, coupled with superb rapport with her co-stars and a powerful singing voice, made her scenes a highlight. Equally compelling Dylan communicated Sky Masterson’s charm and determination with depth and nuance.

The particularly entertaining Havana scene was marked by vibrant blocking, real attention to detail and considered props.

The ensemble's energy, facial expressions and gestures created a lively atmosphere, with precise choreography including a humorous limbo and an effective stage fight. The leads used their physicality and expressions to portray the evolving relationship between Sky and Sarah convincingly.

Charlotte, Chloe and Bea’s on-stage rapport and comic timing were excellent. Josh’s Nathan Detroit was portrayed with conviction, and Year 9 pupil Ben brought wonderful attention to detail to the role of Big Jule. Rosa, Zaire and Sophia sustained the Hot Box atmosphere with sensational interval singing.

Year 8’s Ewan consistently embodied Harry the Horse. Reuben delivered a moving song in the second act, enhanced by three contemporary dancers.

Standout moments included Luck Be A Lady, sung determinedly by Dylan with wonderful harmonies enhanced by the ensemble; Sit Down, You’re Rocking The Boat, exuding fabulous energy; and Marry The Man Today, showcasing superb vocals.

The collaboration and professionalism of the team were evident throughout. From the welcoming front of house, managed efficiently by staff, parents and pupils, to the professional ticketing, every detail was handled with care.

The excellent costumes, managed by Sandra Henning, and the props, overseen by Susie Drake and Henning, added to the authenticity.

Weydon School’s production of Guys and Dolls was a resounding success. The combination of strong direction, musicality, choreography and detailed production elements created an immersive and entertaining experience that left the audience thoroughly impressed. Bravo to all involved for a job well done.